The Tender Place (From Birthday Letters, by Ted Hughes, 1998 , Faber & Faber.)
Your temples, where the hair crowded in,
Were the tender place. Once to check
I dropped a file across the electrodes
of a twelve-volt battery -- it exploded
Like a grenade. Somebody wired you up.
Somebody pushed the lever. They crashed
The thunderbolt into your skull.
In their bleached coats, with blenched faces,
They hovered again
To see how you were, in your straps.
Whether your teeth were still whole.
The hand on the calibrated lever
Again feeling nothing
Except feeling nothing pushed to feel
Some squirm of sensation. Terror
Was the cloud of you
Waiting for these lightnings. I saw
An oak limb sheared at a bang.
You your Daddy's leg. How many seizures
Did you suffer this god to grab you
By the roots of the hair? The reports
Escaped back into clouds. What went up
Vaporized? Where lightning rods wept copper
And the nerve threw off its skin
Like a burning child
Scampering out of the bomb-flash. They dropped you
A rigid bent bit of wire
Across the Boston City grid. The lights
In the Senate House dipped
As your voice dived inwards
Right through the bolt-hole basement.
Came up, years later,
Over-exposed, like an X-ray --
Brain-map still dark-patched
With the scorched-earth scars
Of your retreat. And your words,
Faces reversed from the light,
Holding in their entrails.
Ted Hughes last work was an
anthology for/about his late wife, the poet Sylvia Plath. Hughes speaks of the electro-convulsive therapy that Plath had
had as a young woman, part of a lifelong battle against mental illness that
culminated in her suicide.
Perfect Light
There you are, in all your innocence,
Sitting among your daffodils, as in a picture
Posed as for the title: "Innocence".
Perfect light in your face lights it up
Like a daffodil. Like any one of those daffodils
It was to be your only April on earth
Among your daffodils. In your arms,
Like a teddy bear, your new son,
Only a few weeks into his innocence.
Mother and infant, as in the Holy portrait.
And beside you, laughing up at you,
Your daughter, barely two. Like a daffodil
You turn your face down to her, saying something.
Your words were lost in the camera.
And the knowledge
Inside the hill on which you are sitting,
A moated fort hill, bigger than your house,
Failed to reach the picture. While your next moment,
Coming towards you like an infantryman
Returning slowly out of no-man's-land,
Bowed under something, never reached you --
Simply melted into the perfect light.
The allusion is to a photograph of Plath, her daughter
Frieda and her son Nicholas taken before her death.